Also, Adele teaches her the trick to get ahead of her night terrors and control her dreams: ‘count your fingers, look at the door,’ says the journal of Adele’s old friend Rob, who seems to have gone cold turkey on her after their first ever meet at her estate in the countryside since they both got out of a psychiatric facility. Soon enough, Adele befriends Louise and the lady at the middle of it all has two separate lives – one where she is the gym buddy and confidant of rich yet lonely Adele and another, where she is engaging in wild sex with her man. But only few people successfully manage to supress their attraction, especially when it’s forbidden, and Louise and David are no exception to that rule. They talk their out of the situation and the man has a wife: a beautiful and sad-eyed Adele (Eve Hewson). REVIEW: Louise brushes off her instant connection with the awkward but intriguing man at the bar as a one-off thing and then he shows up as the new psychiatrist at the clinic she works at as a secretary. What really is behind her eyes, and whose eyes are we talking about?Erik Richter Strand’s adaptation of Sarah Pinborough’s 2017 book by the same name juggles dread, delusion and the supernatural. Also, night terrors and dream control involved. STORY: A chance encounter at a local bar in London between single mom Louise (Simona Brown) and a new-to-the-city handsome man David (Tom Bateman) leads to a love triangle that has none of the typical elements of a love triangle.
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